The future is haunted by the unexamined past.
Liwen Lian is a Hui-Chinese 回族 artist using moving image, installation and performance to examine unseen stories and histories.
Through autoethnographic and archival practices with emerging technology, they mix social commentry and surrealist visual language to create imagined and alternative realities. Their work explores the ecology of migration, gender,
sexuality, technology, spirituality, challenging notions of humaness in contemporary culture. Reflecting the tensions, contridictions and possibility of peaceful coexistence in increasingly globalised world.
They recently completed the Young Creatives Lab residency at SIGNAL Arts, supported by the City of Melbourne.
Their work has shown at Melbourne Design Week, Next Wave, Mpavilion, MISCELLANIA, Bundoora Homestead, Blender Studio.
Beyond their artistic practice, Liwen is an independent curator and facilitates community art workshops in Naarm.
“This is a struggle over life and death, but the boundary between science fiction and social reality is an optical illusion.”
“在生与死的边缘,科学幻想与社会现实的界限只是虚幻。”
A Cyborg Manifesto: Science, Technology and Socialist-Feminism in the Late 20th Centry, 1985, Donna Haraway
I acknowladge Wurundjeri People of the Kulin Nation, who are the Traditional Owners of the land where I live and work. Always was always will be abrigional land. I extend my respect to all First Nations people in the world.